BY BETH PETERSON
It begins with a loud crack,
John and I, out on the river
fighting like we’re married
twelve fourteen-year-old boys
and their youth pastor
whose topic this week is suffering
set up tents, pace the campsite
lie on their backs
on a nice wide pitch of grass
What was that? I ask John
He looks up, but says nothing
It’s relentless, the sound in the background
of the space we cannot fill, or won’t
It’s a sound like something dropped or pulled
a forgotten dog on a half-chewed leash
biting at the bit
A million tiny thunderclaps
stacking themselves like stones
in a distant cerulean blue
I’m telling John that maybe
we should move things along
call the boys in, get a fire started
make conservative preparations for the possibility of rain
when suddenly we both see it
a 50-foot box elder, right at the edge of the forest
long ridges, thin leaves, interlacing furrows,
tipped to its side
holding precariously
After this, it all happens at once:
the box elder crashing towards the tents
me jumping back
and John, John is bolting
right towards that falling tree,
back muscles tensed
arms outstretched
as if, all along, he’d been waiting
to catch whatever was coming
Beth Peterson is the author of Dispatches from the End of Ice. A wilderness guide before she began writing, Beth’s essays and poems appear in The Pinch, Fourth Genre, Terrain.org, and other publications. Beth lives in Grand Rapids, Michigan where she is an associate professor at Grand Valley State University.
Process Note: As I write, I try to follow my curiosities, my repeated memories, my habitually unanswered questions. The moments I describe in this poem are ones I think of often: a sure sign that they meant something in the narrative of my life. Poetry is a way for me to find out what that something might be.