Wolf: Villain's Monologue; Willow; #insectapocalypse: a thread

 
unsplash-image-7o8z3sK2k5s.jpg

BY LAUREL ANDERSON

Wolf: Villain’s Monologue

 

I am the belly that walks 

moon paths at night, seeking 

those who have lost hope. 

I ride waves of nodding grasses 

across prairies, pushing a tide 

of fear ahead, easy in my power. 

No one likes to think of appetite, 

how it runs onto naked hilltops, 

how its voice rises 

note by strained note, 

until it trembles the hollows, 

stirs the waters of drowsy pools 

and wakes furred sleepers, afraid 

in each other’s clutch. 

You seek the extermination of my kind, but 

I follow at your heels, like my subdued 

cousin, and give shape 

to your secret darkness. 

I am the vacancy of hunger, 

I am the black mouth of desire, 

and I track you 

like the predator 

I have always been.


Willow

 

There was a field deep in urban nowhere 

with an old willow in the center. 

My friend and I would sneak  

through a gap in the chain-link fence 

and sit for hours beneath the tree, 

its trailing ropes of leaves enclosing us 

in a domed chamber like a great, green bell. 

Sunflecks speckled our laps as we wove  

dandelion crowns with our small hands 

and small alliances with our small tongues.  

Now, I see two young girls, easy prey 

in their pretend palace. I wonder when 

I learned to feel alone and far from help 

in the company of tree, flower, grass, sky.


#insectapocalypse: a thread

 

In a world where cognition is currency, 

we are the underclass. Forebrain, midbrain, hindbrain 

in miniature, just enough to keep the lights on.

 

Yet, we know beauty. Green glimmer-gloss of beetles, 

glitterpane wings and faceted eyes, tiny eggs

afloat in jeweled froth stitched to grass.

 

We know sickness. We bring nightmares 

of fever and rash, ache in the bone, 

twist of the botfly beneath the taut skin.

 

We know family. In a palace of paper and wax 

her half sisters hum as they circle the queen, feeding her, 

bathing her, tending her brood in their hexagon cradles.

 

We know vengeance. The hornet that enters the hive 

as a hunter is surrounded, restrained, and roasted alive 

in the heat of one thousand vibrating wings.

 

We know love. We fly caresses of pollen 

from flower to flower so apples will weigh down

branches in autumn and almonds will fill with sweet oil.

 

We care for the dead. When a creature with fur 

or feathers lays itself down the last time, we unravel 

the threads of the body and sing them back into atoms.

 

We were a multitude. Our abundance powered 

the flitter of bats, thrum of the bullfrog,  

skitter of lizards through mazes of stone.

 

We die now as dust in mouths of dry rivers.

We crisp in the noon of a day that melts tar. 

We emerge too early and starve without blossoms.

 

We explode into splats on the windshield.

We ash on a million hot lightbulbs. 

We die twitching and slow in pesticide fogs that twist through green blades of corn.

We know that you do not mourn us.

You will. 


Laurel Anderson is a plant ecologist and poet. Her poems have appeared or are forthcoming in River Heron Review, Pangyrus and Canary, and in the scientific journal BioScience. She teaches at Ohio Wesleyan University and lives with her family in central Ohio, USA.

Process Note: My poems usually start with a single line or image that appears in my head and I write from there to see what emerges. As a practicing scientist, my poems often include shadows of scientific knowledge and tend to intertwine the beauty and menace that exist side by side in the natural world. A common theme in my work is the question of how factual our human perceptions of other natural entities really are.